Just Cinema Ph © Michele Illuzzi

On May 19, 2025, the Cannes Film Festival shifted briefly into a more ironic and observational mood with the photocall for "Splitsville", the latest feature from director Michael Angelo Covino. Part of the official lineup, the film arrived on the Croisette with a tone that felt casual yet self-assured, mirroring its take on contemporary relationships and emotional entanglements.

Dakota Johnson led the cast at the photocall, appearing alongside Adria Arjona, Michael Angelo Covino, and Kyle Marvin, who also co-wrote the screenplay. The atmosphere among the group was relaxed and natural, suggesting a strong collaborative bond. Johnson drew particular attention with a clean, understated look that contrasted with the more elaborate styles often seen at the festival, reinforcing the film’s grounded sensibility.

The story of "Splitsville" centers on two couples whose personal lives begin to overlap in unexpected and increasingly complicated ways. When Ashley (Arjona) decides to end her marriage to Carey (Marvin), he seeks advice and support from his friends Julie (Johnson) and Paul (Covino). However, the situation becomes far more complicated when Carey learns that Julie and Paul are in an open relationship—and makes a decision that disrupts the fragile balance between all four of them.

Blending elements of comedy with a more incisive look at intimacy, the film examines themes such as trust, insecurity, and the contradictions within modern romantic arrangements. What starts as an exploration of alternative relationship dynamics gradually reveals the emotional risks that come with them.

During the photocall, the cast’s easy rapport was evident, with moments of humor and spontaneity hinting at the chemistry that carries the film. Covino and Marvin, continuing their creative partnership, appeared fully in sync, both as filmmakers and performers, bringing a personal dimension to the project.

With "Splitsville", Cannes welcomed a film that trades grand spectacle for a closer, more nuanced observation of human behavior. The photocall reflected that same spirit—unpretentious, engaging, and quietly revealing.

Stefania Veneri

Just Cinema Ph © Michele Illuzzi